Swamp Noise Scrapbook

Listening to Suicide's live bootlegs

Alan Vega's voice:

What does it want from me?

Succor or blood?
Both?

Wait, where is it?

Wandering w/o
a body.

In the tall shadows,

Martin Rev's
sentient synth

morphs into
the Driller Killer.

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Noise Work

Eduardo Cardoso & I work together as Uma parede de ouvidos. Check out our stuff on our Bandcamp.

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"To use noise as a device would be to use its alienating potential to produce strange experiences that make us question ourselves as subjects. Inversely, anything that reaffirms you as subject ('I get it,' 'I like,' or even 'I hate it') would be not noise-as-device. Noise-as-device is to be contrasted with noise-as-taste, which cannot expand beyond the mere 'experiencing self'..."
--Mattin, Social Dissonance (Falmouth: Urbanomic, 2022)

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Check out my interview with Thomas Boettner aka Straight Panic

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FFS For Fuck's Sake FFS

dayglo dollar generals,

booby-trapped dumpsters,

roadkill raccoon replicants,

arterial plaque moisturizers,

feral baby auctions,

dry-aged, non-gmo foodies,

waffle house griddle-face,

burn-unit sexual delights,

snort-lines of dorito-dust,

plastic explosive butt implants,

terrorist homecoming dances,

vagina dentata prosthetics,

polaroids of skinned satans,

zoom conjugal tutorials in rust heaps,

nazi nfts of churches’ gloryholes

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"I'm a reader app and a writer app, but it's always overwritten. In recent years I have considered it to be a living spirit capture module in online organ trading. And the corpse struggle with the undead places a further extension of this module in the interplanetary protocol."
-- Kenji Siratori to Zura Jushkariani, 2021

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A horror haiku series based on the noise-maker Richard Ramirez's various aliases

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A lyric essay I wrote about Swedish punks Anti-Cimex for Stuart Schrader's Shit-Fi.